There’s an awesome video where Kurt Vonnegut explains the shapes of stories using narrative graphs. In fact, I’m going to just chuck the video here and talk about their applications after the jump.
Chloe and I started talking about the narrative for Particulars a couple of weeks back, and one of the first things we did was to use a Vonnegut ‘Good/Ill Fortunes’ graph to map out our plot (in fact we made two graphs: one for the flash game and one for the full game. They’re below: see if you can guess which is which). This wasn’t planned at all, but it’s become apparent that doing so has been incredibly valuable to our understanding of our plot.
Why is this? Very simply put, it’s because games have a lot of moving parts. You’ve got the story, the mechanics and the level design, each of which change over time to create and dissipate tension, as well as create different moods. By graphing out what you want from one of these (in this case, story), you force yourself to ask how the others will affect it. Soon, you’re altering the curve to take powerups and new game elements into consideration, and thinking about the analogous curves for the other aspects.
Have you had any cool experience with narrative graphs? Do you prefer to use the ‘Good/Ill Fortune’ graph, a tension graph, or completely different axes?